13:36 - Pressure In, for poly pressure / MPE.

11:27 - Logic Delay, for time-shifting envelopes, etc.

9:06 - Creating feedback connections in The Grid with Long Delay.

2:35 - Stereo delay and feedback sound design example.

1:56 - Changing things each loop makes feedback interesting.

0:59 - Delay allows FX/plug-ins into the feedback loop!.

0:14 - Feedback, a (potential) force for good.

Processing a signal over and over again without it ever repeating (can be) a lovely thing. In this tutorial, we use Bitwig's powerful feedback options in the regular Delay and Reverb devices, explore oscillator feedback in Phase-4, and then create feedback in The Grid for some creative instability. It isn't always a 'happy accident,' but when feedback is done intentionally, rich and changing sounds can be found.

10:39 - Details, like routing feedback.

9:13 - When the envelope reaches zero.

7:55 - Task 3: building a looping envelope.

4:32 - Task 2: What is a low-pass filter?.

2:05 - Task 1: Velocity as an amplitude control.

This tutorial looks at three examples: making a patch velocity-sensitive, seeing how low-pass filters relate to amplitude, and using comparators to make a looping envelope.īy lifting the veil on a few simple ideas, take The Grid (and any modular environment) to a new level. While math is everywhere in sound synthesis, it doesn't always ask for attention.

What is an envelope filter